The Must-Reads, 2011
As each year comes to its end, I go through all the racing stories I’ve bookmarked or shared over the past 12 months and pluck together a short list of pieces that stand out, whether for great reporting or great storytelling. If you haven’t read the stories linked below yet, take a few minutes to enjoy some of the best turf journalism from 2011 before 2012 begins:
“As 10-year ban hangs over Rick Dutrow, opinions vary about controversial horse trainer.” The definitive profile of the New York trainer, handed a record suspension this year, by Jerry Bossert for the New York Daily News.
“For Pletcher, managing a training empire is all in a day’s work” Joe Drape on how he does it, for the New York Times.
Pletcher was an assistant to trainer D. Wayne Lukas, dubbed “The most interesting man in racing,” by Gary West this spring, in one of the last posts published on his Star-Telegram blog. That the formidable turf writer with the superb flapdoodle detector was let go by the newspaper was a loss for Texas racing. Fortunately for readers, West now appears on ESPN.
Claire Novak won her first Eclipse award this year with “Pressure off Durkin at Belmont,” about the announcer’s decision to step down from calling the Triple Crown races on NBC, but I’m biased toward her terrific Kentucky Derby week story, “The Inside Scoop: Why Calvin Borel owns the rail,” which appeared on Kentucky Confidential. For fun, and a touch of Gay Talese, Novak’s recounting of a New Orleans cabbie’s racetrack story can’t be beat.
At Suffolk Downs, a rider reached a significant milestone: “Piermarini gets win 2000 on Sugar Trade.” Susan Salk of Offtrack Thoroughbreds talked to Tammi Piermarini about becoming only the fifth female jockey in racing to crack 2K.
Ryan Goldberg added context and depth to this year’s intense (and ongoing) Lasix debate with his well-researched and matter-of-fact story for the Daily Racing Form, “Lasix: Demystifying the drug, methods of training without it.”
DRF photographer Barbara Livingston shared some marvelous historic racing photos from her private collection this year, as in this post: “Man o’ War’s funeral: Remarkable final tribute for majestic champion.” The great horse was laid out in a casket for viewing; thousands filed past to pay their respects.
“In search of the Kelco.” Bill Christine, at HRI, on the handicapping gizmos of yesteryear (which gave me an excuse to post about the Race-o-meter).
“Gray Thoroughbreds, a precious relic of the breed’s earliest days, became a rarity on the racecourse for a good part of the 19th century.” I had no idea. Kellie Reilly on the revival of grays in the 20th century, on BRISnet.
The Must-Reads, 2010
It’s no exaggeration to say that every year I bookmark, tweet, or link here to hundreds of horse racing features, columns, and blog posts — stories and opinions that catch my attention for a turn of phrase, the quality of storytelling, the depth of research, an unusual argument, or a striking insight. A few each year — like the 10 pieces below — are especially memorable.
The Making of ‘Legends’ (Pat Forde/ESPN)
“The present is another matter. The present stings a bit. The present is Kentucky Derby week, and it offers vivid evidence of how brutally hard it is even for learned horsemen with a lot of money to win a Derby — or to simply reach the starting gate.”
The Linemakers (John Scheinman/Pimlico)
“It is no secret the man gambles with gusto, a word that derives from the Latin gustus, or tasting. Carulli is all appetite and, like the bear he resembles, doesn’t like to be disturbed while concentrating.”
The Best Broodmare of All Time? (Alicia Wincze/Lexington Herald-Leader)
“Though Hasili was a stakes winner on the track and had a solid pedigree in her corner, nothing in her form could have indicated the impact she would have on the sport once she entered the breeding shed.”
What Makes the Great Ones Great? (Jay Hovdey/DRF)
“No question, in terms of personality type, the great ones appear to be happy in their work.”
Why We Love Secretariat (Meghan O’Rourke/Slate)
“In the moment when he pulls away from Sham, his brilliant archrival (who would’ve been a champion in any other year), we have the sense of an animal exceeding the boundaries of the category of animal.”
Forlorn Filly Comes from Nowhere (Bill Finley/NY Times)
“A few days after he bought a modestly bred horse from a friend named Don Hunt, Tim Snyder took a moment to reflect. He had no money, no horse trailer to get his new acquisition to where he needed to go and a filly that had been rejected by nearly everyone else who had come in contact with her. The horse had a clubfoot, a bad shoulder, a reputation for being slow and was blind in one eye, reason enough for Snyder to second-guess what he had just done.”
Who Really Invented Race Charts? (Kevin Martin/Colin’s Ghost)
“Whatever the case might be, it was Brunell who had the foresight to put race charts and later past performances into a daily publication dedicated to racing. While the above puts his role as ‘originator’ in doubt, no one can deny that he popularized the tools that all horseplayers have been dependent on for more than a century.” [See also, Martin’s follow-up post.]
Rachel’s Place in History (Gary West/West Points)
“Most of us had never seen anything like Rachel Alexandra, and for having seen her, I’m grateful.”
Frankel’s Rise No Romantic Dream (Chris McGrath/Independent)
“Despite the present, witless tendency to treat them as characters in search of an author, men such as Frankie Dettori and Henry Cecil could never be adequately prefigured by a script.”
A Vote for Horse Racing (Claire Novak/ESPN)
“For now, suffice it to say it is the opinion here that a vote for Zenyatta is, simply put, a vote for horse racing. To recognize this kind of runner as vital to the sport’s survival is common sense, not emotional gibberish as some would choose to believe.”
What’s missing? Add your must-reads from the year past in the comments …
Working Around
Production is set to begin October 31 at Santa Anita on “Luck,” complicated by the racetrack surface renovation underway:
All of the changes have forced HBO to break up filming of their episodes and have caused problems in booking certain guest cast members and in working with the series’ directors, Bronchtein said.
In addition, the crew has less days to shoot the early episodes and fewer days to prepare for upcoming ones.
“That just adds pressure to the process,” he said. “It’s really forced us to work extra hard and to be at the top of our game.”
The new track surface is expected to be ready by early December, which is when “Luck” plans to stage races for filming. That’s one way to test the dirt …
How has this tidbit not come up before? Bill Barich, author of “Laughing in the Hills” and “A Fine Place to Daydream,” is part of the writing crew on “Luck” and on the scene at Santa Anita. The handicapper-writer, who had been living in Dublin, told the Irish Times, “If all goes well … this gig, as opposed to my books, may keep me out of the Trail’s End trailer park in Santa Rosa.”
Anticipating “Luck”
Michael Mann talks about “Luck” with the Los Angeles Times:
“To make these characters be alive, you have a sense of them intuitively and viscerally,” Mann said. “The challenge of it is obvious, but the economy of it is wonderful — if you can make it work.”
Making “the economy” work has been the director’s career. Khoi Vinh:
What’s left out from these movies is as important and beautiful as what’s included. They’re exercises in doing as much as possible with as little as possible, implying whole swaths of narrative information by allowing the audience to extrapolate events, details, backstories and subplots from only the barest hints of their presence…. Mann employs an architectural approach that establishes a plot framework but declines to fill every nook and cranny. He uses very few elements to suggest many more, and in so doing constructs a kind of environment that the audience experiences rather than a narrative account that the audience observes.
Or, as Mann tells his interviewer, discussing audience perceptions:
“It’s liberating to jump into the stream of a story and jump into the stream of a character and convey by attitude, ambience and the tone of that person — and their surroundings and how they’re reacting to those surroundings — the magic of what’s happening. When you can bring the audience into understanding and they have leapt over that little gap, and they’re getting it on their own, it’s a much more intense involvement.”
There is nothing about this show that isn’t coming together.
About
Jessica Chapel writes and edits in Massachusetts. Railbird is a Thoroughbred horse racing blog published from June 2004 to July 2019. More / Contact
Elsewhere
Find Jessica on Pinboard and Instagram, Railbird on LibraryThing and Twitter.
Etc.
Links
Search
Boston Racing
Spreadsheets/Data
← Home
Copyright © 2000-2023 by Jessica Chapel. All rights reserved.