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Working Around

Production is set to begin October 31 at Santa Anita on “Luck,” complicated by the racetrack surface renovation underway:

All of the changes have forced HBO to break up filming of their episodes and have caused problems in booking certain guest cast members and in working with the series’ directors, Bronchtein said.

In addition, the crew has less days to shoot the early episodes and fewer days to prepare for upcoming ones.

“That just adds pressure to the process,” he said. “It’s really forced us to work extra hard and to be at the top of our game.”

The new track surface is expected to be ready by early December, which is when “Luck” plans to stage races for filming. That’s one way to test the dirt …

How has this tidbit not come up before? Bill Barich, author of “Laughing in the Hills” and “A Fine Place to Daydream,” is part of the writing crew on “Luck” and on the scene at Santa Anita. The handicapper-writer, who had been living in Dublin, told the Irish Times, “If all goes well … this gig, as opposed to my books, may keep me out of the Trail’s End trailer park in Santa Rosa.”

Posted in Media on October 23, 2010 / Tagged Bill Barich, Challenges, Film Production, HBO, Luck, Santa Anita, Track Surfaces, TV

Anticipating “Luck”

Michael Mann talks about “Luck” with the Los Angeles Times:

“To make these characters be alive, you have a sense of them intuitively and viscerally,” Mann said. “The challenge of it is obvious, but the economy of it is wonderful — if you can make it work.”

Making “the economy” work has been the director’s career. Khoi Vinh:

What’s left out from these movies is as important and beautiful as what’s included. They’re exercises in doing as much as possible with as little as possible, implying whole swaths of narrative information by allowing the audience to extrapolate events, details, backstories and subplots from only the barest hints of their presence…. Mann employs an architectural approach that establishes a plot framework but declines to fill every nook and cranny. He uses very few elements to suggest many more, and in so doing constructs a kind of environment that the audience experiences rather than a narrative account that the audience observes.

Or, as Mann tells his interviewer, discussing audience perceptions:

“It’s liberating to jump into the stream of a story and jump into the stream of a character and convey by attitude, ambience and the tone of that person — and their surroundings and how they’re reacting to those surroundings — the magic of what’s happening. When you can bring the audience into understanding and they have leapt over that little gap, and they’re getting it on their own, it’s a much more intense involvement.”

There is nothing about this show that isn’t coming together.

Posted in Media on October 12, 2010 / Tagged Anticipation, Directing, HBO, Luck, Michael Mann, Minimalism, Narratives, Storytelling, TV

Secretariat Subtexts

Andrew O’Herir enjoyed “Secretariat,” but that:

… doesn’t stop me from believing that in its totality “Secretariat” is a work of creepy, half-hilarious master-race propaganda almost worthy of Leni Riefenstahl, and all the more effective because it presents as a family-friendly yarn about a nice lady and her horse.

His review drew a reply from Roger Ebert, who gave “Secretariat” four stars:

I myself have written insane reviews. It happens.

O’Herir’s political reading is outlandish, Ebert’s lengthy response indignant. And personal? The critic is a great friend of Secretariat biographer Bill Nack.

10/10/10 Update: O’Herir responds. He was being intentionally outrageous!

Posted in Media on October 8, 2010 / Tagged Film Critics, Film Reviews, Movies, Narratives, Secretariat