HBO
Anticipating “Luck”
Michael Mann talks about “Luck” with the Los Angeles Times:
“To make these characters be alive, you have a sense of them intuitively and viscerally,” Mann said. “The challenge of it is obvious, but the economy of it is wonderful — if you can make it work.”
Making “the economy” work has been the director’s career. Khoi Vinh:
What’s left out from these movies is as important and beautiful as what’s included. They’re exercises in doing as much as possible with as little as possible, implying whole swaths of narrative information by allowing the audience to extrapolate events, details, backstories and subplots from only the barest hints of their presence…. Mann employs an architectural approach that establishes a plot framework but declines to fill every nook and cranny. He uses very few elements to suggest many more, and in so doing constructs a kind of environment that the audience experiences rather than a narrative account that the audience observes.
Or, as Mann tells his interviewer, discussing audience perceptions:
“It’s liberating to jump into the stream of a story and jump into the stream of a character and convey by attitude, ambience and the tone of that person — and their surroundings and how they’re reacting to those surroundings — the magic of what’s happening. When you can bring the audience into understanding and they have leapt over that little gap, and they’re getting it on their own, it’s a much more intense involvement.”
There is nothing about this show that isn’t coming together.
Weekend Notes
Buzz builds for “Luck.” A producer claims, “it will be the greatest show on TV.” TV critic Alan Sepinwall (who writes some of the best “Mad Men” recaps out there) is excited — and worried — about the HBO drama, noting that it “may have the most prominent creative firepower, in front of and behind the camera, of any show in the channel’s history,” but what about Dustin Hoffman? Entertainment Weekly tabs the Oscar winner’s presence as a “breakthrough” for TV, while Santa Anita reveals what Variety didn’t, that the first season will consist of the pilot and “seven to nine additional weekly episodes.”
Sure, bring the kids for a day at the races. But don’t let them bet at Saratoga. (A trespass charge and an anti-gambling class? Oh, come on.)
Wow. Monmouth Park reports incredible results for the first 24 days of the “elite summer meet,” with attendance up 13% over comparable days in 2009, on-track handle up 43%, and total handle up an amazing 118%. The average field size is also up over last year, to 9.0, compared to 7.44 in 2009. Monmouth doesn’t mention claiming activity in its press release, but that must also be up by a huge amount, with 215+ claims so far. At the start of the Monmouth “less-is-more” experiment, Steven Crist wrote, “Gov. Chris Christie has said his goal is to make the racing industry ‘entirely self-sustaining.’ Unless handle increases from last year’s $3.1 million a day to $10 million, that isn’t going to happen.” That hasn’t happened, but with average daily handle of $7.6 million, Monmouth is still in a very good spot. [7/19/10 Addition: Business of Racing digs into Monmouth claiming activity vis-a-vis Belmont.]
By Ragozin figures, Blind Luck tops 3-year-olds of either sex.
After the Massachusetts state senate approved a casino bill 25-15 earlier this month, expanded gaming looked almost certain. There were just a few differences with the house bill to reconcile in committee, and a tight deadline for getting legislation to the governor. Difficult, but not impossible. Now, State House News Service reports, “… serious people are talking in somber tones about a two-week stare-down that yields nothing in the way of major legislation. The unimaginable — failure to sanction casinos despite Big 3 ardor and at least $1.8 million spent on lobbying during the first six months of the year — looms.” It’ll be a tense watch for slots supporters …
“Yes, a gentleman!” I never tire of the General Quarters story.
Milch Reads “Luck”
This is awesome: David Milch reads from the first 20 pages of “Luck.” The reading, which took place at the Kelly Writers House in April, begins about 17 minutes into the audio (MP3). There’s a little dark humor, a lot of racetrack talk. It sounds very, very promising. (Thanks to Tony Hanadarko for the link!)
HBO has yet to make a decision about the “Luck” pilot, filmed this spring, but Santa Anita officials believe there is “a very strong possibility” it will pick up the racetrack drama, which stars Nick Nolte and Dustin Hoffman.
7/15/10 Update: HBO has picked up “Luck.” Said a network executive, “Michael Mann delivered a pilot from David Milch’s brilliant script that took our breath away.” Production will start this fall, the show will air in 2011.
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Jessica Chapel writes and edits in Massachusetts. Railbird is a Thoroughbred horse racing blog published from June 2004 to July 2019. More / Contact
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